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Ascending Mauna Kea

Sat, 16 Mar 2013, 09:29 AM (-06:00) Creative Commons License

Editor’s Note: This fish documents a drive up Mauna Kea. It contains nothing profound. The pictures might or might not hold some interest, but by and large the words are not for general consumption but rather are part of the author’s conceit that years from now it might be particularly nice to read back and reflect upon that which might otherwise have been lost to old age oblivion which even now approaches. Feel free to skip as always but here in particular.

1. Can We Go Up?

There was a road that continued beyond the parking lot of the visitors’ center.

“Can we drive up?” I asked the woman at the counter. 

“I’ll let you take this one,” she said to a rugged, ranger-looking man beside her and walked away.

“Well you see,” he said in a consoling tone as he took her place, “the road is very steep, and it is not paved. You need four wheel drive. “

“We have a Jeep,” I said, glancing over at Trudy.

“Oh that’s different.” 

He paused and then offered some advise. He said to use 4L and to use low gear coming back down so that our brakes didn’t overheat. And he cautioned us about the cold. And about snow blindness. And about altitude sickness. And then he added that we should stay there, at the visitors’ center, for at least 30 minutes to acclimate to the altitude.

2. Deciding

You see as we were driving thru the clouds and fog on Saddle Road, we had turned left on a whim when we saw a sign for the Onizuka Mauna Kea Observatory Visitor Information Station. And the center was at 9000 feet, already high enough to be above the thickest of the cloud cover and fog.

Our original plan had been to drive Saddle Road between Mauna Kea and Mauna Loa. We would cross the island rather than driving around it. This was to be a scenic short cut but nothing more. We had not contemplated the summit of Mauna Kea, but then we hadn’t known it was an option.

So here we were, halfway … up in a Jeep. We’d probably never be here again, and if we decided to drive back down without going all the way up, we might regret it for the rest of our lives.

We decided to do it.

3. Up To The Summit

The Jeep crept along at 15 miles per hour, the gears whining in that reassuring four wheel drive way. It reminded me of Bunka’s Willy’s Jeep pickup truck crawling thru the woods and blowsand of Michigan years and years ago.

But there were no woods here. There was only the gravel road and barren brown dirt and rock slopes punctuated by struggling grass and scraggly trees hiding in the mist.

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In places, cliffs fell precipitously away from the right shoulder. And as we crept up the steeply sloped road, the clouds began to break, and patches of blue began to show.

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Then, in a place where the grass and shrubs and struggling trees gave way to nothing but rock and sporadic mounds of some kind of ground-hugging scrub, we topped the clouds. 

The sky was blue. The slope was steep. Rocky, unstable-looking heaps of mountainside shot up from the left shoulder of the road and a vast void of nothingness dropped off to the right. Orange cinder cones popped up out of nowhere as we rounded sharp switchbacks.

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The cloud deck blanketed the island below us. The windows were cold to the touch. The gravel crunching under our tires seemed to be kept in place only by a few boulders.

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4. Reaching The Summit

And then the observatories appeared — sleek, silver cylinders and round, white domes with blue sky and scattered cirrus clouds above them and with barren landscape all around. An outpost of civilization in the midst of desolation.

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Nearly 14,000 feet. We made it.

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Climbing Saddle Road

Fri, 15 Mar 2013, 04:56 PM (-06:00) Creative Commons License

The fog was so thick as we climbed up Saddle Road that at times we could barely see the stripes on the side. It blew across the grassland and into woodsy thickets hidden in the gloaming.

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We drove slowly up the slopes following the route between the island’s two massive volcanos. When we came to the state park, the clouds were lifting, giving us a better view of the land, but the flanks of Mauna Kea were still draped in mist.

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There was green here. The slopes were green. Green grass was growing on the ground. And trees and shrubs. But there were periodic reminders that this was not always a pastoral place. The grasslands were punctuated by black flows of cooled lava. In places the land was scraped clear by it with scraggy shrubs poking up here and there and maybe a lone surviving tree standing on high ground in the distance.

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We parked the Jeep and walked a bit. Then we got back in and tested the four wheel drive for the first time, almost getting stuck between 4L and 4H in a low area. And then we resumed our climb up Saddle Road.

PanSTARRS

Fri, 15 Mar 2013, 09:52 AM (-06:00) Creative Commons License

1. Look In The West

There was something beeping in my pocket — a faint, hard-to-hear sound, like a vague reminder of something I’ve forgotten to do. I snapped out of my fajita-taco-consuming euphoria and pulled out my phone.

“Look in the west,” Susan said, “the comet it’s…” And the connection dropped.

I walked around the corner of the building and peered into the western sky. A thin slice of a crescent moon hovered above the silhouettes of the trees. A dim glow lingered on the mostly hidden horizon. The parking lot lights glared and made the darkening sky hard to see.

No comet. Maybe it was behind the trees by now.

2. Dirty Ice Rocks

“I thought you might enjoy some pictures of dirty ice rocks in the sky,” Aaron emailed.

He included four attachments.

Against a darkening blue-black with a pitch black silhouette of the Davis Mountains, the comet smeared an orange-yellow tail across the sky. Somewhere just below the curving line of the mountaintops, the sun was shining, it’s light reflecting off those dirty ice rocks that he had captured with his camera.

3. A Morning Off

On a Friday off from work, with day rising in the east and an orange glow on the trees and the breeze of day beginning to stir, I sat down and took the stylus in hand and threw down some bits.

I never saw it. But I drew it. Does that count for anything?

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Let’s Get Going

Wed, 13 Mar 2013, 09:56 PM (-06:00) Creative Commons License

Let’s continue the Hawaii story, now running on perilously close to a year in the telling!…

1. Driving By The Airport

From satellite you can see it. A black fan of lava running down the slopes of the island into the sea. Kekaha State Park is on its northern edge. Kona Airport is on the south. And Queen Ka‘ahumanu highway runs thru it. 

As far as we could see up the slope to our right and as far as we could see toward the ocean to our left, there was nothing but black wasteland. And wasteland does not do it justice. This was a land of piled up, pitch black lava. Great dumptruck loads of it, it seemed. One after another, as if some great expanse of highway somewhere had been ground up and dumped in this place for disposal.

Certainly mother nature would have no cause to create something like this. Piles of sharp black stuff as far as the eye could see. But look at it from a satellite view, and there’s no denying it. Dump trucks were not involved. Mother nature did indeed create this vast, sharp, forbidding, black, desolate, bleak, withered, pile-after-pile of a place.

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2. On The Beach

The fair and industrious Trudy had a map in her lap.

“Here it is,” she said after we’d been driving a while, pointing to a road that ran toward the ocean. “This must be it. Turn here.”

We drove along yet more barren land, although the black had given way to brown. And we came to a dirt lot where other cars were parked.

An obvious path led toward to the shore. Out of the sun. Past a place drinking fountain where we stopped for a moment. Into a woods that sprang up out of nowhere. With soft ground under our feet.

There was a breeze blowing in the tres. There was a blue lagoon with rolling surf washing up on a sandy shore. Just yards from that unforgiving wasteland, we had entered a gentle world of greens and blues.

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We walked in the shade along the beach looking for a sign of the petroglyphs. And not finding them, we sat for a while and watched the waves washing up on the shore. And then Trudy looked at her watch and wondered aloud if we needed to keep going, because we had a long drive ahead.

3. Climbing Into The Saddle

Today was Kona. Tonite would be Volcano on the other side of the island. Our route would take us along Saddle Road, which the guide book had cautioned us about but the Jeep rental guy had encouraged us to take. This is the road that cuts across the island between the peaks of the two volcanos. We didn’t know what to expect, so we left behind the blues and greens of the bay and returned to the Jeep.

Lunch was in Waimea, a funny little sandwich shop that we were grateful for. In the middle of town, we turned right and drove across highlands and eventually came to our objective: a two-lane asphalt strip that disappeared into the distance.

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The harsh lava wastes were behind us. The beaches and breezes were behind us. Here clouds descended down upon us and surrounded us in a thick fog. Wisps of it drifted across the chaparral. As our Jeep began the gradual climb, the fog got thicker. 

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Somewhere out there off to our left was Mauna Kea. And somewhere out there off to our right was Mauna Loa. We could see neither. At times, we could barely see the telephone poles beside the road.

Culture Day

Tue, 12 Mar 2013, 08:18 PM (-06:00) Creative Commons License

There was Japan and Korea and Vietnam. There was England and Spain and France. There was Mexico and the USA. There were people dressed up in shiny dresses. There were tasty ethnic snacks. There was a guy playing folk songs on an acoustic guitar, and several classrooms down the hall there was another man playing the blues on an electric one. And there was a place in the hall with comfortable pillows spread in an arc around a man with a book.

“Welcome to Jabberwock,” he said.

Some kids stared back. Others’ faces lit up.

“I’m sad to say, we don’t have snacks,” he said. “What we’re going to do is poetry.”

They didn’t seem too disappointed about the snacks, and their reactions to the word poetry were certainly acceptable, so he figured he had a good audience. Indeed, he knew well that at this school, with these teachers, the students were certain to be a good audience, even for poetry.

 

‘Twas brillig and the slithey toves did gyre and gimble in the wabe, he began.

After several stanzas of this he stopped. They talked about the poem. There was a monster in a forest, the kids told him. And a boy, they said. And a sword.

After a while, he leaned toward them and started over.

Il brilligue. Les toves lubricieux se guirrent en vriant dans les guaves.

Their eyes went round. They laughed stifled laughs, not sure if the ring of the French was something they could or should laugh about. The scooted back and forth on their pillows. They stole furtive glimpses of each other as the monster and the forest and the sword went by, with pantomime gestures to give them clues to the action.

And then after that, he leaned forward again.

Es brillig war. Die schlichten toven wirten und wimmelten in waben.

At this, even the boyest of the boys sat up. Some tried to mimick the –ch sounds as the monster and the forest and the sword went by yet again.

 

“Did you do this two years ago?” one of the fathers asked later.

“I did,” the man said.

“My older son was in fourth grade then. He said this was his favorite part.”

Even without snacks, the man thought. What validating feedback.

 

At the end of several hours, long after the snacks were gone and all the students had made their rounds from Japan to Mexico to Spain to England to … Jabberwock, the teachers lined the kids up on both sides of the hall and lined the parents up single file and had them run the gauntlet between the kids. 

The kids cheered as the parents walked by. And they clapped. And they smiled. And they high-fived. And the smiles on the parents’ faces, oh you should have seen their smiles … and the smile on the face of that man.

Palm Trees

Sun, 10 Mar 2013, 07:58 PM (-06:00) Creative Commons License

Although the race the day before conspired to minimize the potential of our free breakfast vouchers, today there was no such constraint. Oh no. Today we could take leisurely showers and then head downstairs to enjoy the eggs and bacon and oatmeal and bagels and pancakes and fruit and coffee to our hearts’ content.

So we sat there enjoying breakfast to our hearts’ content, ignoring the monsters on the wall.

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On the far side of the dining room, there was an indoor garden with various low-growing tropical plants and two tall Palm trees (this was El Tropicano, after all) growing up into a skylight that projected beyond the ceiling into an outdoor swimming area on the second floor.

And there were six guys standing around.

No. These guys were definitely not standing around. The were digging with shovels and swinging picks and pounding the ground with a rockbar. Not standing around.

What are those guys doing?

We watched them as they labored mightily, digging a circular trench around each Palm tree.

They’re taking out the trees.

We had seen the trees thru the skylight a few minutes before from upstairs. Their foliage was pressing against the glass. They had outgrown their home. And these guys were digging them out. As it happened, they were transplanting them. The gardener explained that there were two large planters upstairs beside the pool, and they were going to move the Palm trees up there.

You’re going to take them upstairs?

Yes, Their plan was to dig them out and take them up the sweeping spiral staircase that led from the lobby to the second floor pool. But there was a lot of hard, backbreaking work to be done before they got to that point. And we had more of San Antonio to see. So we had to leave the action behind.

Later that day, we returned to the hotel. We had some vouchers for coffee and snacks, so we were stocking up before we started our drive home. As the fair and industrious Trudy surveyed the snacks, I turned to look at the planter where the men had been working that morning. The Palms were gone; a pile of dirt was sitting on a tarp beside where they used to stand; and a woman was sweeping the staircase.

I turned to the barrista behind the counter and asked about the Palm tree procession. One after the other, the barrista said, the six men carried each Palm tree up the spiral stairs.

“I hate to see them do that.”

It wasn’t clear what the barrista meant.

“I mean, are you kidding me? Six of them carrying a tree up the stairs?”

It wasn’t clear what the barrista meant.

“I’m Mexican, too,” the barrista said. “Those six guys can do better than that.”

Probably true. But given the care of their digging and picking, I don’t think the trees could have asked for any better.

La Bamba

Thu, 7 Mar 2013, 08:01 AM (-06:00) Creative Commons License

Across the river there were tables lined along the Riverwalk. They had Texas flag umbrellas over them. The staff walked back and forth in cowboy hats. We were glad we were not over there.

It’s not that we have anything against flags or hats. It’s that it was chilly, and that side of the river was in the shade, while from our vantage point at Café Olé, we sat in a warm puddle of sun.

And as we sat there eating chips and queso and drinking our drinks and waiting for our fajita feast to arrive, three mariachis walked up and down the aisle, sometimes stopping at a table to play a song. Far better than Texas flags and cowboy hats, we were thinking but the mariachi music was just perfect. What could be better?

Better, indeed. After the mariachis had been strumming their guitars and singing for a while, they wandered by our table. One of them looked at me, and I nodded.

“We usually charge $20.00,” he said, “but today we’re just asking for tips.” And he asked if we had any particular requests.

“Well,” I said, “I don’t have a request, but it’s my wife’s birthday today.”

“So something festive?” he asked.

“Something festive!”

The three of them looked at each other briefly, and one of them said something briefly, and then they instantly erupted in song.

Para bailar La Bamba
Para bailar La Bamba
Se necessita una poca de gracia
Una poca de gracia
Para mi, para ti, ay arriba, ay arriba
Ay, arriba arriba
Por ti sere, por ti sere, por ti sere

The three of them sang loudly and joyfully, one of them sometimes leaning over to emphasize a lyric in Trudy’s ear. I laughed. She smiled. And the warm sun shined. 

What More Could You Ask For

Wed, 6 Mar 2013, 10:19 PM (-06:00) Creative Commons License

At 6:00am sharp, Trudy’s phone starts beeping. She hops out of bed and gets in the shower and goes down to the lobby to get some coffee while her laggard husband sleeps in. The race, he figures, doesn’t start until 8:20, so there’s no rush.

She comes back up as he’s tying his shoes. They pin on their running numbers and gather their jackets and gloves and go downstairs to the breakfast bar for eggs and bacon and fruit and pancakes. The race, they figure, doesn’t start until 8:20, so why not?

They drive the short distance to the Alamodome where they pay the dime and park in the vast parking lot beside the starting line where the 1,500 or so runners are assembling. It was in the 40s last night, but the sun’s coming up, and they toss their jackets back into the car. The race doesn’t start until 8:20, and by that time it’ll be even warmer.

And then 8:20 comes.

From their place near the end of the line, they start moving to the starting line. It’s a gorgeous, sunny day with a clear blue sky. And the weather’s perfect for a 10K run.

Trudy leads the way. David shuffles along. Although he gets speedy a few times, he comes to his senses in each case and returns to his plodding pace. 

It’s an out-and-back course, and almost as soon as they start out, half-marathon runners pass them going back the other way. And then there are more of them. And then there are 10K runners, too. And then there’s the bridge over the railroad tracks. And then there’s the rock-n-roll girl-band cranking loud tunes. And then the turn-around. And before you know it, there’s the band again and then the starting line in the distance.

David picks up the pace. Trudy whispers words of caution. And of course, it turns out that that’s not where the finish line is. So by the time they enter the Alamodome, Mr. Speedy is back to his reliable, plodding pace, again.

Now they’re running out onto the track. Music is blaring from loud speakers, echoing off the ceiling far above them. They round the turn. And they’re in the final straightaway, side-by-side. The announcer calls out their names. And as they cross the finish line, hand-in-hand (corny yes, but true), they hold their hands up and an image of them in their red-orange jerseys appears on the jumbotron. And then there are snacks: apples and bananas and bagels and peanut butter cookies. And there’s a band on stage playing KC and the Sunshine Band.

What a good way to start Trudy’s birthday day. And since the race started at 8:20, there’s still so much day left.

Happy Birthday to Trudy

Tue, 5 Mar 2013, 09:47 AM (-06:00) Creative Commons License

I woke at 12:15am.

Hm, that’s not quite accurate.

At 12:15am I rolled over in bed, having laid awake since we went to bed. I looked over at the glowing red digits on the alarm clock. It was time. I got out of bed, walked over to my suitcase against the wall, unzipped a side pocket and pulled out a piece of stiff paper that was hidden there.

The hotel room was dark, but the hotel room was small. So it was not hard to find my way to Trudy’s side of the bed. Once there, I set the paper on her side table and made some shuffling noises with the paper and her phone and the charging cord.

“Oh look,” I said. “Look what I found!”

She woke up with a start.

“What!?”

“Look what I found on the table.” 

I turned on the lamp and handed her the stiff piece of paper. It was black with blue paper pasted to the foreground. On the top against the black there was a large, script T drawn in white pastel crayon. And there were two flower-buttons punched thru the paper to either side of the letter. Against the blue paper, it said happy birthday, i love you.

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Trudy took the card and held it an inch in front of her face so that she could read it without her glasses. I leaned over and hugged her.

“Happy birthday to Trudy.”

We turned out the lights and went back to sleep. The race, after all, wasn’t for another eight hours.

Aloha Woods

Sun, 24 Feb 2013, 10:31 PM (-06:00) Creative Commons License

On our way out of Kailua-Kona, we drove back along Queen Ka‘ahumanu Highway past the airport to … Target. Yes, Target. We needed a new suitcase to carry some of our new-found treasures. Sadly Target had none. (How is that possible?)

So our next destination was … CostCo. Yes, CostCo. Certainly they would have a suitcase, and sure enough they did. We wheeled it into the parking lot and threw it into the back of the Jeep, assured that we’d have more space to take stuff home.

And our third stop was Aloha Woods. Yes, Aloha Woods.

On our way to CostCo, at an intersection in the middle of an industrial park, I looked down a side street and saw Aloha Woods in the distance. This was the place that Sam the Ukulele man said would be a good place to stop for Koa wood. “It’s in an industrial park just past the airport,” he said, leading us to write off stopping there, since who drives to an industrial park on their vacation in Hawaii?

Yet here we were, and there it was.

From the outside Aloha Woods resembled a plumbing supply store. Or a paint store. But inside there was furniture of the likes of which we’d never seen before. Gorgeous, hand-crafted furniture made out of local Hawaiian woods. Drool-worthy designs with smooth surfaces and clean lines. Modern, contemporary, one of a kind, and … oh my the cost. Of course, contemporary furniture wasn’t going to fit in our new CostCo suitcase, so the cost was irrelevant.

“Can I help you?” a man asked.

I hummed and hawed a bit. There was no evidence of any scrap lumber in this place.

“Do you have any… I’m looking for Koa scrap. Do you know where I might find some?”

He nodded. “Follow me.”

We went around the counter thru a door into a warehouse in the back.

“Look thru those bins,” he said, pointing to eight large boxes. “The Koa is in the second one on the far side.”

I walked over and started looking thru the boards and scrap.

There it was. I didn’t even have to think twice. Two inches thick. Three feet long. About a foot wide. This was not just a scrap, it was the scrap.

Imagine a sawmill cutting lumber from the twisted, gnarly trunks of Koa trees. And imagine a scrap that falls off the mill at the edges where there’s not enough trunk to make a complete board. That’s what this scrap was. A cross-section of a Koa tree, one edge flat but the other edge tracing the twisted, gnarly edge of the tree.

I held up the scrap and turned it so that the long flat edge was horizontal. And I gasped. Held this way, the twisted, gnarly top edge took the shape of three waves. And the color of the wood at the edge was grey-white rather than rich red-brown, as if the waves were crashing on a beach.

“This is it,” I said.

Back in the front of the store, the man and a woman working behind the counter helped us wrap our treasure in bubble-wrap. They were remarkably patient, helping us wind the bubble wrap around and around the wood, taping it down securely with generous strips of packing tape.

It cost more than I wanted to pay. But to tell you the truth, I wouldn’t have flinched at a piece of art costing twice as much. 

We thanked them both as we left the store. We put the wood in the back of the Jeep beside the new suitcase (no way it was going to fit inside). And we got back on the road.

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